Topaz Winters is the Singaporean-American author of So, Stranger (Button Poetry 2022), Portrait of My Body as a Crime I’m Still Committing (Button Poetry 2019), & poems for the sound of the sky before thunder (Math Paper Press 2017). She serves as editor-in-chief of Half Mystic Press, an independent, international, & interdisciplinary publishing project, & as co-editor of Kopi Break, a journal of new Singapore poetry. Her work has been published by Waxwing, The Drift, & Poets.org, profiled in Vogue, The Straits Times, & The Business Times, & performed at the Metropolitan Museum of Art, the Centre for Fiction, & the Singapore Writers Festival. She lives between New York & Singapore.

 For interviews, speaking engagements, & rights requests, You can reach me at topazwinters@gmail.com.

  • Vogue, 2024

    “While dinner was served, members of YoungArts took the stage, showcasing their mastery of dance, poetry, and song with gripping performances.”

  • Grazia, 2023

    “I’m excited about taking up as much abundant, expansive space as possible in a world that expects me to fit into a single box based on what it reads about me on the page.”

  • Princeton University Lewis Center for the Arts, 2023

    “I was 21 & looking for something to die for.”

  • The Provincetown Independent, 2022

    “Winters’ list of ‘youngest to’ accomplishments is impressive.”

  • The Village Sun, 2022

    “The juxtaposition of music and poetry conjured an intimate environment, allowing audience members to enter the vivid, urgent world of Winters’s latest collection.”

  • The North Wind, 2022

    “It is not always the easiest thing in the world, but it is always worthwhile.”

  • Emily Butler, 2021

    “The work is valuable because it’s yours.”

  • Gaysi, 2021

    “Poetry, beyond its beauty, should question our own biases, strive to reform laws.”

  • The Daily Princetonian, 2021

    “I think a lot about myth as a very present thing and as a way of tying into the urgency of illness and the urgency of the body.”

  • Lifestyle Guide, 2019

    “If the root of this book is silence, I hope the form is voice.”

  • The Straits Times, 2019

    “Singapore’s young female poets are not afraid to speak their minds, tackling sensitive topics from sexuality to life in prison.”

  • The Straits Times, 2019

    “This is an attempt, not to define the body, but to allow it space to breathe.”

  • Royal Rose Magazine, 2019

    “‘I love the girl’ is, in the world of ‘Trigger,’ an intonation, a cardinal truth. It cannot be run from. It cannot be denied.”

  • Frontier Poetry, 2018

    “Despite the speaker warring with her father, it is a reconciliation with his violence, his fury, and—most importantly—repurposing that fury as her own to recreate home.”

  • The Straits Times, 2018

    “It is rare to find such a diverse array of speculative fiction with a South-east Asian twist.”

  • The Business Times, 2018

    “SingLit is very much pushing literature into directions that are unexplored and experimental.”

  • Ink & Myths, 2018

    “Every poem of hers is the definition of softness.”

  • Lifestyle Guide, 2018

    “I haven’t failed yet. I have proved a lot of people wrong.”

  • Cicada Magazine, 2017

    “Poetry says: you can be still. It says: you are enough as you are.”